jennifer lawrence house at the end of the street

For the few superfans out there who are eagerly awaiting Jennifer Lawrence's cheapie thriller “House At The End Of The Street,” they likely. Parents need to know that House at the End of the Street is a thriller that many teens will want to see based on the fact that its star, Jennifer Lawrence. It was actually Ryan who killed his parents, after Carrie Anne died in an earlier swing-set accident and they started raising their little boy. jennifer lawrence house at the end of the street

Jennifer lawrence house at the end of the street -

"House at the End of the Street" ends up just OK

As an overused phrase once said, it's never wise to judge a book or movie by its cover (or, in this case, title). However, in the case of the horror/thriller "House at the End of the Street," the name sums up the film quite nicely: it's a clumsy title for an equally clumsy thriller. That isn't to say "House at the End" doesn't do certain things pretty well; it just isn't particularly consistent, especially when it comes to being scary.

"The Hunger Games"'s Jennifer Lawrence stars as Elissa, a young, cynical Chicago high schooler coping with a move out into the middle of nowhere. Coming along is her caring but busy nurse mom (Elisabeth Shue). The two have a typical horror movie relationship in which the parent is attempting to become more involved, and the child is having none of it, leading to several angry dinner arguments. If only some horrible life-threatening dilemma could bring the two of them together.

Conveniently, there's a house at the end of the street (though it looks more like a cabin in the woods, but I suppose that equally vague title was already taken) where a handsome young stranger (Max Thieriot) with a terrible past lives. Years ago, in an over-directed opening sequence, his sister brutally murdered his parents and disappeared. He begins to hit it off with Elissa, which unnerves her mother and some of the preppy townsfolk. And considering it's a horror movie, they're probably onto something.

The screenplay, based on a story by "Terminator 3" and "Surrogates" director Jonathan Mostow of all people, throws a number of twists at the audience. Surprisingly, most of them are actually pretty effective. The whole story, despite its seemingly generic front, keeps viewers guessing a decent amount, and while none of the turns are particularly new, they do keep things far more interesting than the typical PG-13 horror flick.

"End of the Street" is also nicely anchored by its two star performances, Lawrence and Shue. They're not particularly challenging roles, but they look sufficiently scared, and Lawrence has a light, comfortable ease with writer David Loucka's dialogue, even when it makes her do something dumb like strum mopey pop songs on a guitar or awkwardly pester Thieriot about his dead family. The fact that her character is any bit relatable is more a tribute to Lawrence's likeable on-screen presence rather than anything on the page.

It's unfortunately an ease that not many others in the cast possess. While sometimes Loucka's script sounds smarter than the average thriller, when someone other than Lawrence or Shue is speaking, the movie sounds like it's trying too hard to sound intelligent and snappy. Normally, it just comes off as silly.

It doesn't help that as "End of the Street" moves toward its climax, Loucka starts indulging himself in some of the genre's most groan-worthy clichés. The most egregious of these is the neighborhood cop (Gil Bellows) who seems to be the only policeman in the city and can't seem to afford some new batteries for his flashlight. He probably couldn't get a signal on his cell phone either.

Another cliché plot development involving the high school's smug womanizer takes a hilariously over-the-top turn when he suddenly decides to take up beating up Thieriot, destroying his car and arson. "End of the Street" has several decent twists; the overheated schoolyard antics aren't included amongst them.

Besides the random bullies from hell, director Mark Tonderai sets up the twists interestingly. He just doesn't know how to make them scary or even that intense, other than to throw on a bunch of blurry filters and other ineffective camera tricks. The audience spends a lot of time watching the characters interact, act cute and look at trees, which I'm sure was intended to build tension, but it seems more like mildly diverting padding.

It's too bad because there's actually promise in "House at the End of the Street." It's got an above average cast with a few above average lines and plot twists. It's just impossible to fully recommend a scary movie that's not, you know, scary.

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Источник: https://onmilwaukee.com/articles/houseattheendofthestreet

Escaping the crime-ridden streets of their Chicago neighborhood, where shootings are a daily occurrence, Elissa (Jennifer Lawrence) and her mother Sarah (Elisabeth Shue) head to an idyllic small town somewhere cool and forested. There, they move into a house entirely too large for a single-parent income, but they’ve gotten a nice deal on the rent due to a horrific event that occurred at the house at the end of the street.

Years before, a young girl named Carrie Anne went crazy and brutally murdered her parents. Hence, the rent for all the other houses in the neighborhood is really cheap. The only resident in murder house is Ryan (Max Thieriot), who happens to be a dreamy, damaged, brooding college boy that only the love of a high school girl can cure, or so Elissa hopes.

As if it wasn’t weird enough to move from the big city to an upscale suburb, move away from all your friends, and live next door to the murder house, there’s also the fact that creepy things keep happening. And it all seems to stem back to that murder so many years ago. The local rumour mill says that Carrie Anne is still alive and living in the woods. As Elissa learns more about the horrors of the past, she gets closer and closer to uncovering the horrors of the present.

Jennifer Lawrence has a great look, but not one that leaves her feeling out of place. She looks like a girl you’d see out on the street, not like some Hollywood actress type. That’s the crux of her appeal, I think (and also why she has so many body-shaming detractors). She’s appealing in this, and expressive enough to carry the movie when she has to. Max Thieriot is good, given his role. Elizabeth Shue doesn’t get a lot to do, though. This is Jennifer Lawrence’s movie all the way through. She’s not quite as adept at the task as Elisabeth Olsen was in Silent House, but she’s given more of a relationship drama to muck through rather than straight-out psychological horror.

Источник: https://www.denofgeek.com/movies/house-at-the-end-of-the-street-review/

Jennifer Lawrence creeps out in House at the End of the Street

In the new exclusive TV ad for The House at the End of the Street, audiences get to see Jennifer Lawrence get spooked out in her new horror film.

arrives at the Los Angeles premiere
Related story Jennifer Lawrence's Husband Cooke Maroney Made Her Melt With This Unique Horror-Inspired Gift



It’s a horror between The Hunger Games. Jennifer Lawrence stars in the upcoming fright flick, The House at the End of the Street, where she plays a girl who has recently moved into a new house after her parents are divorced.

Hot pics: Exclusive photos from The House at the End of the Street >> 

Her mom, played by Elisabeth Shue, thinks this is the best thing that can happen to the mother-and-daughter duo that just wants to start over.

Elisabeth Shue’s straight, blond hairstyle — you can have it, too! >> 

The House at the End of the Street

It’s an urban legend

So, when all is said and done and these two women move into the house at the end of the street, they soon find out that there’s a story that no one wants to tell. The story of a murder. It happened, or so some say, in the house next door. A girl killed her parents and then mysteriously left. No one has seen her since. She’s survived only by her brother, Ryan, played by Max Thieriot.

Jennifer Lawrence risked burns to film The Hunger Games >>

I just had a bad feeling

When Lawrence’s character strikes up an uncanny friendship with Ryan, people start to wonder. Is it good to hang out with the only survivor after such a tragic experience? After things start to get creepy, our bow-and-arrow girl has to figure out quick who she can trust.

Get ready for Halloween everyone, because this is one fright flick that might keep you up at night, especially if you’ve just moved into a new house.

The House at the End of the Street releases in theaters Sept. 21.

Photo credit: Relativity Films
Источник: https://www.sheknows.com/entertainment/articles/970821/jennifer-lawrence-creeps-out-in-house-at-the-end-of-the-street/

House at the End of the Street review: House poor

House at the End of the Street

(out of 4)

Starring Jennifer Lawrence, Elisabeth Shue and Max Thieriot. Directed by Mark Tonderai. 101 minutes. Opens Sept. 21 at major theatres. 14A

It was a dark and stormy night.

Yup, that’s usually when long-haired, blue-eyed children decide to attack their parents with a hammer, although in this case, mom and pop are given more than fair warning by their homicidal offspring’s noisy, lumbering approach.

Their ineptitude at averting their own bloody demise is rather symptomatic of The House at the End of the Street itself, a thriller with a twisted ending that feels clumsy, laboured and unconvincing throughout.

Fast forward four years and mom Sarah and daughter Elissa have just moved to start a new life in small town Woodshire and hoping to mend a difficult relationship. But even this plot point — in the hands of two very capable actresses, Elisabeth Shue and Jennifer Lawrence — comes across as tepid and tiresome.

Maybe there’s something more diverting happening next door at that infamous house — typically, the neighbours complain about the depressing effect that the murders have had on property values — and where sole survivor Ryan is living alone.

Ryan (played by Max Thieriot as if he has just awoken from a nap) and Elissa begin a gentle, circuitous courtship. Their chemistry is like two massive supernovas colliding. No wait, sorry — it’s the diametrical opposite of that.

Director Mark Tonderai leans heavily on ominous music throughout to rouse the audience from its torpor, making every scare — big or little — seem as manufactured as assembly-line widgets.

It doesn’t help that the script by David Loucka and Jonathan Mostow, which borrows heavily from a whole slew of much better horror films, is laden with dialogue that incites laughter when it’s clearly not intended and with minor characters who take us nowhere.

It’s an unfortunate misstep for the red-hot Lawrence, filmed in Ottawa in 2010, before her 2011 Oscar nomination for Winter’s Bone and this year’s leading roles in The Hunger Games and the TIFF-approvedSilver Linings Playbook.

Here, Lawrence can do very little with the wretched material at hand, other than use those amazing eyes to alternate between self-assurance and surprise.

Shue, who plays a busy doctor, never misses an opportunity to run her fingers through her curly, blond locks as she vacillates between pensive and aggrieved.

Canadian actor Gil Bellows, who plays a likeable local cop, might as well have a target painted on his forehead because you know he won’t make it to the final reel. This degree of predictability is seldom a plus.

The climax is so ham-fistedly handled that it is unsatisfying and ridiculous in equal measure.

Built on a foundation that is lame and shoddy from basement to attic, this is one House that deserves a wrecking ball.

Источник: https://www.thestar.com/entertainment/movies/2012/09/21/house_at_the_end_of_the_street_review_house_poor.html

New Images Of Jennifer Lawrence In Thriller ‘House At The End Of The Street’

For the few superfans out there who are eagerly awaiting Jennifer Lawrence‘s cheapie thriller “House At The End Of The Street,” they likely already know that next Tuesday you can get your hands on the novelization, which will spill the entire movie for you a month before it hits theaters. But for everyone else, a batch of new photos have arrived, confirming that indeed, Jennifer Lawrence wears the hell out of a tank top in this movie. 

Co-starring Elisabeth Shue and Max Theriot, the film follows a single mom who seeks a fresh start after a divorce, and moves with her daughter into the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to take place, Sarah and Elissa learn the town is in the shadows of a chilling secret. Years earlier, in the house next door, a daughter killed her parents in their beds, and disappeared – leaving only a brother, Ryan (Theriot), as the sole survivor. Of course, Lawrence falls in with Theriot’s character and that relationship goes to some interesting, scary, PG-13 places.

‘HATES’ opens on September 21st. Check out the new pics below.

Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

Источник: https://www.indiewire.com/2012/08/new-images-of-jennifer-lawrence-in-thriller-house-at-the-end-of-the-street-107055/

House at the End of the Street – review

Before The Hunger Games made Jennifer Lawrence hot property in Hollywood, she shot this low-budget horror film in 2010. It has been released without much fanfare, presumably to limit the damage to her CV. The generic title suggests either a risible reboot (The Last House on the Left) or a smart subversion of the genre (The Cabin in the Woods). Instead, we get a by-the-numbers bore so bad its makers chose to insulate it from preview screenings (fittingly, the film's Twitter hashtag is #HATES).

Following her parents' divorce, Elissa (Lawrence) moves to a leafy suburb with her mother (Elisabeth Shue). They find themselves living next door to a house in which a young girl murdered her parents four years earlier. The girl disappeared, but her body was never found. Now her brother, Ryan (Max Thieriot), is living there. Despite her mother forbidding it, Elissa begins to fall for this mysterious loner – until she begins to worry about what he might be hiding in his basement.

Lawrence does her best to shine as a scream queen despite the dull and derivative script by David Loucka, whose previous convictions include the disastrous Dream House. Director Mark Tonderai relies on stock shocks and increasingly convoluted twists in lieu of suspense. Don't be tempted to put in an offer; this house is built on flimsy foundations.

Источник: https://www.theguardian.com/film/2012/sep/24/house-at-end-of-street-review
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New Images Of Jennifer Lawrence In Thriller ‘House At The End Of The Street’

For the few superfans out there who are eagerly awaiting Jennifer Lawrence‘s cheapie thriller “House At The End Of The Street,” they likely already know that next Tuesday you can get your hands on the novelization, which will spill the entire movie for you a month before it hits theaters. But for everyone else, a batch of new photos have arrived, confirming that indeed, Jennifer Lawrence wears the hell out of a tank top in this movie. 

Co-starring Elisabeth Shue and Max Theriot, the film follows a single mom who seeks a fresh start after a divorce, and moves with her daughter into the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to take place, Sarah and Elissa learn the town is in the shadows of a chilling secret. Years earlier, in the house next door, a daughter killed her parents in their beds, and disappeared – leaving only a brother, Ryan (Theriot), as the sole survivor. Of course, Lawrence falls in with Theriot’s character and that relationship goes to some interesting, scary, PG-13 places.

‘HATES’ opens on September 21st. Check out the new pics below.

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Источник: https://www.indiewire.com/2012/08/new-images-of-jennifer-lawrence-in-thriller-house-at-the-end-of-the-street-107055/

House at the End of the Street: Film Review

NEW YORK — The pointedly generic title sounds like either a remake or a genre-bender along the lines of The Cabin in the Woods. But despite an intriguing setup, sharply drawn central characters and a lead performance from the luminous Jennifer Lawrence that elevates the material a few notches, House at the End of the Street is a by-the-book horror thriller that’s low on scares and suspense.

Directed by Mark Tonderai, who made the 2008 British indie chiller Hush, the slick-looking film is stronger on production values than storytelling. Following the Jim Sheridan dud Dream House, it marks the second botched attempt by screenwriter David Loucka to juice up tired horror conventions in less than a year.

The Bottom Line Feisty girl + troubled young man + house full of ugly secrets = hackneyed horror movie you've seen a hundred times before, even if Jennifer Lawrence keeps it watchable.

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Working from a story by Jonathan Mostow, Loucka samples from a variety of sources that range from Psycho to The People Under the Stairs. But from the moment Plot Point A is disclosed in a big reveal almost exactly a half-hour in, the film becomes first inane, then dull and then ludicrous. While the screenplay works overtime to keep throwing convoluted twists at us, it becomes increasingly easy to stay a few beats ahead.

The principal saving grace is Lawrence as Elissa. The classic modern horror heroine, she’s an independent-minded, fearless, whip-smart high schooler who looks sizzling in jennifer lawrence house at the end of the street tank top. Following her parents’ divorce, Elissa moves from Chicago to small-town Pennsylvania with her mother, hospital worker Sarah (Elisabeth Shue), looking for a fresh start in a house that backs onto lush state forest. But wait a minute, what’s that eerie place just beyond the trees?

Turns out that house was the scene of a double murder four years earlier, in which a young girl hacked up Mom and Dad one night. She must have had her reasons. In any case, the kid was presumed drowned, but her body never found. Local teens like to feed rumors that she’s still alive, wandering the forest at night, while their parents just bitch about the notorious crime’s drag on property values.

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But the house is not empty. The girl’s loner brother Ryan (Max Thieriot), who was reportedly away at the time of the killings, still lives there and forms an attachment with Elissa. His aura of vulnerability and hurt clicks with her history of collecting damaged kids and making them her project. “Sometimes people can’t be fixed,” frets Sarah, a former high school slut now making a belated effort to be a better parent. But Elissa won’t be deterred. She’s also too cool to be creeped out once Ryan starts acting weird.

While Lawrence is such a magnetic presence that she holds your attention even as the story takes a dive, the actress also highlights the weakness of the script. Why a girl as savvy and street-smart as Elissa would stick around in situations long after the danger alarm has sounded makes less and less sense, even within the elastic logic of the genre. And Lawrence projects such kick-ass strength that she seems a match for any menace.

Sadly, Shue’s Sarah is denied the requisite redemptive “Get away from my daughter!” line in the climactic violence. But pretty much every other cliché of the formula is mined. What’s more irritating, however, is the absence of foreshadowing for key plot triggers like the extreme violence that preppy scum Tyler (Nolan Gerard Funk) and his buddies unleash upon Ryan, or the failure even to mention any investigation when it appears that more than one girl from the area has gone missing. And why is well-meaning cop Weaver (Gil Bellows) so trusting and protective of Ryan?

VIDEO: Jennifer Lawrence Moves Into ‘The House at the End of the Street’

In lieu of sound plotting and actual tension, Tonderai attempts to amp up the atmosphere in postproduction, with jump scares, flickering lights and frequent manipulation of sound, visuals and image speed as Theo Green’s music thunders away. But these are all standard tricks in a banal entry that pretends to be something more complex.

The digitally shot movie does have a sleek look; cinematographer Miroslaw Baszak makes good use of the widescreen frame with some unsettling low angles, edgy handheld work and beautiful lighting of the forest scenes. And with a couple of minor exceptions, the actors are all more than capable. What’s lacking is an intelligent script.

Opens: Friday, Sept. 21 (Relativity Media)
Production companies: FilmNation Entertainment, A Bigger Boat
Cast: Jennifer Lawrence, Elisabeth Shue, Max Thieriot, Gil Bellows, Eva Link, Nolan Gerard Funk, Allie MacDonald
Director: Mark Tonderai
Screenwriter: David Loucka; story by Jonathan Mostow
Producers: Aaron Ryder, Peter Block, Hal Lieberman
Executive producers: Allison Silver, Sonny Mallhi, Steve Samuels, Anthoni Visconsi II, Dominic Visconsi Jr., Ryan Kavanaugh, Tucker Tooley
Director of photography: Miroslaw Baszak
Production designer: Lisa Soper
Music: Theo Green
Costume designer: Jennifer Stroud
Editor: Steven Mirkovich
Rated PG-13, 101 minutes

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Источник: https://www.hollywoodreporter.com/movies/movie-reviews/house-at-end-street-film-372780/
House at the End of the Street
409.vod.fi.on.rv.spoileralerthouseattheend.jpg

Caution! We blow the big secrets in House at the End of the Street.

In the interest of saving readers 100 thrill-free minutes, we’re here to break down the litany of hoary reveals in House at the End of the Street. Presumably released jennifer lawrence house at the end of the street capitalize on the rising stardom of Jennifer Lawrence—noticeably younger here—this long-shelved potboiler begins like a teen Psycho gloss, with Max Thieriot as the sensitive, Norman Bates–y heartthrob romancing our new-girl-in-town heroine. Thieriot’s Ryan harbors a troubled past: When he was a boy, his little sister, Carrie Anne, butchered both his parents, Michael Myers–style, and then retreated into the surrounding woods. Or did she? As we quickly learn, Ryan has a feral female houseguest locked in his basement—one we’re meant to assume is the slash-happy sibling who “disappeared” years earlier. 

Savvy genre fans will start asking the right questions, such as “Why do we rarely see this bogeywoman in close-up?” After what feels like an eternity of wheel spinning, House reveals the mystery lady is neither Carrie Anne nor her brother in drag, but…the latest young coed Ryan has held captive as a surrogate for his missing sis. (You’d think a small-town kidnapping ring would be more difficult to maintain, especially for the town pariah living alone in the house where his folks were brutally murdered.) But wait, there’s more! It was actually Ryan who killed his parents, after Carrie Anne died in an earlier swing-set accident and they started raising their little boy as a little girl. So convoluted it has to cram its final twists into a mental-institution epilogue, House at the End of the Street is worse than a bad Psycho knockoff. It’s a bad Sleepaway Camp knockoff. (Available on VOD, DVD and Blu-ray Tue 8.)

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Источник: https://www.timeout.com/chicago/tv/spoiler-alert-house-at-the-end-of-the-street

House at the End of the Street review: House poor

House at the End of the Street

(out of 4)

Starring Jennifer Lawrence, Elisabeth Shue and Max Thieriot. Directed by Mark Tonderai. 101 minutes. Opens Sept. 21 at major theatres. 14A

It was a dark and stormy night.

Yup, that’s usually when long-haired, blue-eyed children decide to attack their parents with a hammer, although in this case, mom and pop are given more than fair warning by their homicidal offspring’s noisy, lumbering approach.

Their ineptitude at averting their own bloody demise is rather symptomatic of The House at the End of the Street itself, a thriller with a twisted ending that feels clumsy, laboured and unconvincing throughout.

Fast forward four years and mom Sarah and daughter Elissa have just moved to start a new life in small town Woodshire and hoping to mend a difficult relationship. But even this plot point — in the hands of two very capable actresses, Elisabeth Shue and Jennifer Lawrence — comes across as tepid and tiresome.

Maybe there’s something more diverting happening next door at that infamous house — typically, the neighbours complain about the depressing effect that the murders have had on property values — and where sole survivor Ryan is living alone.

Ryan (played by Max Thieriot as if he has just awoken from a nap) and Elissa begin a gentle, circuitous courtship. Their chemistry is like two massive supernovas colliding. No wait, sorry — it’s the diametrical opposite of that.

Director Mark Tonderai leans heavily on ominous music throughout to rouse the audience from its torpor, making every scare — big or little — seem as manufactured as assembly-line widgets.

It doesn’t help that the script by David Loucka and Jonathan Mostow, which borrows heavily from a whole slew of much better horror films, is laden with dialogue that incites laughter when it’s clearly not intended and with minor characters who take us nowhere.

It’s an unfortunate misstep for the red-hot Lawrence, filmed in Ottawa in 2010, before her 2011 Oscar nomination for Winter’s Bone and this year’s leading roles in The Hunger Games and the TIFF-approvedSilver Linings Playbook.

Here, Lawrence can do very little with the wretched material at hand, other than use those amazing eyes to alternate between self-assurance and surprise.

Shue, who plays a busy doctor, never misses an opportunity to run her fingers through her curly, blond locks as she vacillates between pensive and aggrieved.

Canadian actor Gil Bellows, who plays a likeable local cop, might as well have a target painted on his forehead because you know he won’t make it to the final reel. This degree of predictability is seldom a plus.

The climax is so ham-fistedly handled that it is unsatisfying and ridiculous in equal measure.

Built on a foundation that is lame and shoddy from basement to attic, this is one House that deserves a wrecking ball.

Источник: https://www.thestar.com/entertainment/movies/2012/09/21/house_at_the_end_of_the_street_review_house_poor.html

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